Athena Grayson writes romantic fiction ranging from sci-fi romance to magical realism and contemporary fantasy. She loves to write characters who are more than they seem, and loves to play with beloved genre tropes in engaging and unique ways. She adores smart, sexy, beta heroes, and savvy heroines who aren’t afraid to demand–and get!–the best from their relationships. Underneath it all, she has a love of language and a deep respect for how words can uplift and transport us to a higher state of being, even if only for a few hours.
Her latest narrative adventure is a Sci-Fi romance weekly serial space opera. Written in part as an homage to all the science fiction books, movies, and TV that shaped her into the proud nerd that she is today, and in part to introduce the enduring thrill of romance into those adventures (combining her two great loves in fiction), “Huntress of the Star Empire” introduced new continuing episodes every Thursday for twelve weeks, just like your favorite TV series. The series “Season One” is now available for binge-reading in four boxed sets.
Aside from the obvious bad habits, I’ve been looking at my good and neutral habits as well, and asking WHY I do what I do. Because even if it’s a good habit, I still need to know why.
It’s June. Summer is here and the days are ripe and long. You may not realize it right away, but Act Two is the summer of life. You’re in full bloom. Your glow is bright, and shines long. You’re in the fullness of your life. And you still have a loooong growing season ahead of you. […]
I’ve been thinking a lot lately about the series I’m working on right now. The WinterJacked series masquerades as a paranormal romance, a romantic fantasy, or a contemporary chick-lit/women’s fiction hybrid. It doesn’t seem to live comfortably in any of these genres, though, because its genre hasn’t caught on yet. I’m talking about the peculiar […]
Infrastructure. Most people think, “roads and bridges” when they hear the word. When you’re into Act Two on the stage of life, infrastructure is the knowledge that those stationary set-pieces will be doing double-duty, serving as sketch-definitions of many spaces in which you tell your story. By the time Act Two rolls around, you have seen […]